Program rádia

 
 Friday – Freitag – Vendredi – 周五Viernes –– пятница 

P Á T E K  16.11.2018

THE STORY OF JAZZ narrated by Langston Hughes I.with documentary Recordings Fireworks-Bobby Dodds-Jelly Roll Morton-Drums of the Youruba-Ol Hannah-Old Man-Poquoi-Deux Amour-Tiger Rag amo.

PUTNEY DANDRIDGE and his Orchestra, 1935-1936 Putney Dandridge (1902-1946,pianist was an entertainer in the tradition of Fats Waller, he enjoyed popularity during the thirties.

PETR BURDA Komentář týdne

JIŘÍ VÍCH Nové knihy

THE STORY OF JAZZ narratedy by Langston Hughes II. from blues to modern jazz; Smithsonian Institution, Washington,U.S.A.

ELLA FITZGERALD The Concert Years, Tokyo 1953, Stockholm 1966, New York 1967

Comp. On the Sunny Side of the Street – Body nad Soul – Oh,Lady Be Good – My Funny Valentine – How High the Moon amo.

BILL EVANS Loose Blues, 1962 Pers. Evans-p, Zoot Sims-ts, Jim Hall-g, Ron Carter-b, Philly Joe Jones-ds

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Saturday – Samstag – Samedi – 周六 – – Sábado – суббота

SOBOTA 17.11.2018

CHARLIE VENTURA Bop for the people Comp.Ghost Of A Change – Tea For Two – C.V.Jump – I Surrender, Dear – Letś Jump For Rita – Jack Pot amo. Pers. Charlie Ventura – ts, Buck Clayton-tp, Ed Young-g, Harry Field-p amo. 1945 – 1946 Charles Ventura was arguably the most popular saxophonist of this threesome. First as a major soloist with the Gene Krupa Band and after ttat as a leader of a serie of bebop combos that would earn him great popular acclaim as a leader. More:www.proper-records.co.uk

*MILES DAVIS Ascenseur pour l´échafaud (Lift to the scaffold) The original soundtrack to the film, as mixed and edited in 1958. and used for the screen, can be heard to tracks 17 to 26

*BUD POWELL

1-6 + Ray Brown-b, Max Roach-ds, Bud Powell-p, 1949

7-19 + Curly Russell-b, Max Roach-ds, 1950

14-17 + Buddy Rich-ds, 1950

18-25 Bud Powell-p, solo, 1951

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WILLIAM S.BURROUGHS Excerpts from Naked Lunch and Nova Express

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QUINCY JONES Newport 1961Comp. Meet B – Boy In The Tree – Evening In Paris – Air Mail Special – Lester Leaps In – G´Wan Train – Banja Luka – Ghana

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Sunday – – Sonntag – Dimanche – 周日 – Domingo воскресенье

NEDĚLE  18.11.2018

THE LIONEL HAMPTON STORY Flying Home – 1942-1945

Comp: Royal Family – Flying Home – In The Bag – Loose Wig – Chop-Chop – Flying Home 2 – The Mess Is Here – Million Dollars Smile – Overtime – Tempoś Boogie – Vibe Boogie – Beulah´s Boogie – Two Finger Boogie amo.

The Lionel Hampton Orchestra made its Decca recording debut on December 24, 1941. Althoug the band featured talented young stan like trumpeters Ernie Royal and Joe Newman, altoist Marshall Royal, tenorists Illinois Jacquet and Dexter Gordon, pianist Milt Buckner and the great George Jenkins on drums. More Properbox 12.

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SUN RA Jazz by Sun Ra – 1956 Supersonic Jazz – 1956

Comp: Brainville – Call For All Demons – Transitions – Street Named Hell – Lullaby For Realville – Future – Swing A Little Taste – Sunology – Advice To Medics – Super Blonde amo.

Some call me r.a, some call me Mr. Re, You can call me Mr.Mystery. He had assembled a 10-piecebig band, the Arkestra, who recorded thei debut, Sun Song, in 1956. Originally playing an idiosyncratic bebop, with arrangements thats also showed thbe influence of Duke Ellington and Tad Dameron, the Arkestra had developed by the experimental group (More: The Guinnes Who´s Who Of Jazz

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CANNONBALL ADDERLEY

Sophisticated Swing – 1957 Things Are Getting Better – 1958

Comp: Another Kind Of Soul – Miss Jackie´s Dewlight – Spring Is Here – Tribute To Brownie – Spectaculator – Jeanie – Stella By Starlight – Edie McLai – Cobbweb – Blues Oriental – Thing Are Getting Better – amo.

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GILL EVANS ORCHESTRA Out Of The Cool – 1960

Comp: La Nevada – Where Flamingos Fly – Bilbao Song – Stratusphunk – Sunken Treasure – Sister Sadie

Pers: Gill Evans-p, arr, cond. – Johnny Coles, Phil Sunkel – tp, Keg Johnson, Jimmy Knepper – tb, Tony Studd – bass trombone – Bill Baber – tuba, amo.

Gill has settled on his one as affording the most flexible outlet for his musical ideas. His taste for developments in all music in evidenced by his choise of material, his selection of personnel and by his compositional style. While some composer-arrangers in the jazz field tend to over-write in proportion to the time they spend and the techniques they learn (More Impulse IMP 11862)

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MILES DAVIS and JOHN COLTRANE Miles and Coltrane – 1955 – 1958

Comp: Ah-Leu-Cha – Straight, No, Chaser – Fran-Dance – Two Bass Hit – By By Blackbird – Little Melonae – Budo . Pers: Miles-tp, Train-ts, Cannonball Adderley-as, Bill Evans-p, Paul Chambers-b, Jimmy Cobb-d . CBS Jazz Masterpieces 460824 2

 

 

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